There are many artists that use realism in their work and create sculptures that look like human beings, except they have the strange lifeless look to them that can create the feeling of the uncanny for some people. London-based sculptor Ron Mueck, formerly a model maker and puppeteer for children's television and films, has been creating fine art sculptures since 1996. Using resin, fiberglass, silicone, and many other materials, Mueck constructs hyperrealistic likenesses of human beings, while playing with scale. The detailed sculptures are captivating when viewed up close, as they may be many times larger or smaller than expected. Here is some of his work:
(Mask II)
(Boy)
(Women With Shopping)
Set deep in a mysterious dark forest lies an abandoned wooden shack which feels horribly claustrophobic and cramped. The shack has 3 visible walls covered in sticks and unusual objects such as bloody handprints, animal heads and items that seem disturbing to the average person. The shack is dark but has a somewhat warm glow to it. There is a large open window along the main wall and just below is a seat covered in mis matched fabrics. The view outside of the window is bleak and leaves fall softly past the window. We pan around the room as if we are confused by the bizarre items within the shack. Suddenly a figure appears and begins to crawl through the window. The figure appears human at first, until we see the figures head. A pig head attached to a human body. We track in. The pighead comes towards us as if he will jump out of the screen. We are confused as the pighead appears human but not human enough. He sits on the fabric covered seat. Suddenly he starts to dance as if he’s in a trance like state. Back and forth. Tracking in and out. The movements are uncanny and very unusual and uncomfortable to watch. It’s as if we are seeing 2 of the same character adding to our confusion and uncanny effects. Suddenly the character starts a fire and again we see the unusual items in the shack and begin to question what is reality. Pighead looks directly at us.We cut to black.
After coming up a new idea at the end of this weeks session, Carrie, Hannah and myself had a think about the sort of props we need from either the storage cupboard or things we need to buy after our group meeting on Friday. So far we have came up with these props:
- white wallpaper
- either used teabags or brown water colour to create a distressed look on the wallpaper
- sticks and twigs to fill the majority of the walls
- Red paint to splat on the wall or create hand marks
Interior:
- fake candles and/or lanterns
- old blankets
- small logs
- clocks
- taxidermy rabbit
Exterior:
The theme we have to use for our film is the Uncanny, which is a term that describes an instance where something is both familiar and foreign which results in a feeling of discomfort, and was studied by Sigmund Freud in his essay 'Das Unheimliche'. Freud believed that the things we find the most terrifying appear that way because they once seemed familiar, he described his theory as such, 'This class is frightening things would then constitute the uncanny; and it must be a matter of indifference whether what is uncanny was itself originally frightening or whether it carried some other affect... for this uncanny is in reality nothing new or alien, but something that is familiar and old fashioned in the mind and which has become alienated from it through process of repression'
(http://students.english.ilstu.edu/rrjohns/hypertext/repurposing/uncanny.html)
What is being said is that when something we are familiar with undergoes change and takes a different form from it's original meaning or context, we become afraid or wary of it. Freud was not the first person to discuss this theory of the uncanny as his essay was a response to Ernest Jentsch account on the subject. However both Jentsch and Freud relate to E.T.A Hoffman's short story 'The Sandman' as an example of the uncanny. Ernest Jentsch, in his 1906 essay 'On the Psychology of the Uncanny' defines the uncanny as "intellectual uncertainty". Whereas Freud see's the uncanny as something that lies in the realm of the frightening and evokes both fear and dread, and though the term isn't clearly definable as it relies on a persons personal experience, Freud outlined several circumstances that would be considered uncanny. These are; animism, magic, sorcery, the omnipotence of thought, unintended repetition, the double or Doppelganger, the castration complex and instantaneous wish - fulfillment.
(https://whitecubediaries.wordpress.com/2013/02/21/the-uncanny-where-psychology-meets-art/)
To help with building a set and finding the correct props and materials, it's best to create a mood board as part of the planning stage. We had a brief introduction to photo shop as a few of us had never used photo shop before. It took a while to get the hang of, however I will be doing my own research on photo shop and looking at tutorials to make sure I know what I'm doing when it comes to creating my mood board. I think for my individual proposal a lot of materials would be needed as it's almost two different settings, as at first the bedroom is a normal teenage bedroom, but in her nightmare it changes into a darker and abandoned looking room. These are the sort of images I will be including in my mood board: